RED Komodo 6K Cinema Camera

Hire From $380.00 per day

RED Komodo 6K Cinema Camera

Hire From $380.00 per day
$0.00
  • 6k sensor
  • Redcode 
  • Stabilisation
  • Live 4k monitoring output
  • Compatible with Cfast 2.0 media
  • Compatible with Canon BP955 (4900mah) or BP975 (7350mah) batteries
Pickup Info

If we have your product in stock, you can collect it on the same day from Sydney and Melbourne. If it is already hired out, we will let you know when it's ready for collection.

Availability Info

When you're ready to submit your Hire Request form online, we will be in touch with product availability information. 

Finance Policy
Forms

If you are a new customer, to get you started on your new hire we will need to set you up as a customer on the system. These forms will be sent to you when you submit your Hire Request.

Featuring red’s unparalleled image quality, colour science, and revolutionary global shutter sensor technology in a small and versatile form factor, Red’s Komodo is a compact cinema camera that every professional cinematographer needs in their kit.

 

Global shutter

Capture every movement, burst, and flash with the full capacity of dynamic range and overall image quality.

 

Capture fast-moving action without blurred or curved lines, only flawless pixels in every shot.

 

Capture every detail from the most cinematic shots with the Komodo. This tiny beast stays maintains Red’s reputation for unrivalled dynamic range.

 

Never compromise with the Komodo’s 6k sensor, which isn't phased by quick bursts of light like strobes or lightning.

 

Save valuable time and money in post-production and vfx with no rolling shutter artifacts.  Spend less time fixing footage for camera tracking/match-move and more achieving the perfect shot.

 

Redcode

The latest evolution of redcode is optimized for Komodo, allowing cinema professionals to unlock amazing image capture potential and creative flexibility with a new simplified user experience.

 

6k resolution

Achieve higher creative flexibility with features such as stabilization and reframing. Shooting on a bigger canvas allows creators to take their footage to the next level.

 

Stabilization

The higher resolution achieveable with the Komodo allows you to stabilize for the perfect shot in post.

 

Post zoom

Capture every perfect moment, no matter how subtle.

 

High-resolution touch screen

Easily preview content and navigate menus

 

Versatile lens mount

Komodo’s rf mount provides flexibility and compatibility with a wide array of ef and pl lenses and the ability to leverage adapters w/ internal nd filters.

4k output

Take advantage of live 4k monitoring output to review content or stream both on set or online.

 

Media

Cfast 2.0 media allows users to use a widely accessible, standardized, and reliable media source.

 

Batteries

Komodo uses either Canon BP955 (4900mah) or BP975 (7350mah), allowing users to choose an industry standard and widely relied-upon power source.

TECHNICAL SPECIFICATIONS
Sensor type Komodo® 19.9 mp super 35mm global shutter cmos
Effective pixels 6144 x 3240
Sensor size 27.03 mm x 14.26 mm (diagonal: 30.56mm)
Dynamic range 16+ stops
Mount type Accepts canon rf mount-based lens adaptors for diverse lens choices supports canon ef with full electronic communication via compatible canon rf mount adapters, and supports mechanically operated rf lenses (electronic control of canon rf lenses not supported at this time[1]
Max data rates Up to 280 mb/s using red pro cfast or other qualified cfast 2.0 media cards
Redcode® raw max frame rates 40 fps at 6k 17:9 (6144 x 3240) 50 fps at 6k 2.4:1 (6144 x 2592) 48 fps at 5k 17:9 (5120 x 2700) 60 fps at 4k 17:9 (4096 x 2160) 120 fps at 2k 17:9 (2048 x 1080)
Playback frame rates (project time base) 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions
Best available redcode® settings Redcode hq, mq and lq at 6k 17:9 (6144 x 3240) up to 40 fps redcode hq, mq and lq at 4k 17:9 (4096 x 2160) up to 60 fps redcode hq, mq and lq at 2k 17:9 (2048 x 1080) up to 120 fps
Redcode® raw acquisition formats2 6k 17:9 (6144 x 3240), 2.4:1 and 16:9 5k 17:9 (5120 x 2700) 4k 17:9 (4096 x 2160) 2k 17:9 (2048 x 1080)
Apple prores 4k (4096 × 2160) at prores 422 hq and prores 422 up to 60 fps 2k (2048 × 1080) at prores 422 hq and prores 422 up to 120 fps
Construction Aluminum alloy
Weight 2.10 lbs (without body cap and cfast card)
Battery type Two slots for bp-9xx series batteries
Dc power input +7 to +17 v dc via the integrated 2-pin dc-in port
Operating temperature 0°c to 40°c (32°f to 104°f)
Storage temperature –20°c to 50°c (–4°f to 122°f)
Storage relative humidity 0% to 85% non-condensing
Color management Image processing pipeline 2 (ipp2) supports 33×33×33 3d luts supports import of cdls
Audio Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 khz additional dual channel via integrated 3.5mm audio jack, uncompressed, 24-bit 48 khz
Remote control Wifi for camera control via interchangeable antenna with sma connection genlock, timecode-in, gpio and ctrl (rs232) via the integrated 9-pin ext port wired control via komodo link adaptor, using usb-c or gigabit ethernet (compatible usb-c to ethernet adapter1 required) allowing camera control and live mjpeg preview video feed
Monitor outputs Integrated 12g-sdi with 6g-sdi, 3g-sdi and 1.5g-sdi modes 12g-sdi: up to 4096 x 2160 4:2:2 for 60p 6g-sdi: up to 4096 x 2160 4:2:2 for 30p 3g-sdi: up to 2048 x 1080 4:2:2 for 60p 1.5g-sdi: up to 2048 x 1080 4:2:2 for 30p, 24p smpte timecode, hanc metadata, 24-bit 48 khz audio
Monitor options Integrated 2.9" 1440x1440 touchscreen lcd with preview and camera control wireless live preview video feed via 2.4ghz/5ghz wifi for framing
Red control Access full camera controls and live preview from ios or android(coming soon) devices. Available from the apple app store and google play store. Red control works wirelessly or wired via the komodo link adaptor (sold separately).