FEATURE SHOOT
Sarah Pannell’s signature aesthetic is marked by a gentle curiosity which translates everyday moments into cinematic vignettes.
Matthew Davis recently took the Canon EOS R6 out for its first assignment in Bali for the story Tomorrow Will Be Better.
Isamu Sawa’s life-long obsession with photography’s artistic and technical challenges has made him a leader in his field.
Video producer Liam Pethick caught up with Sunroom to talk about how live music has adapted during the pandemic in Victoria, and the best gear for shooting performance across stills and video.
As Director of Photography on Kim Churchill’s live music clip, Kate Cornish shares her reflections on being one of the first to use the new Canon EOS C70.
At very young ages, the children in Adam Ferguson’s series The Haunted have already faced unimaginable challenges: kidnappings, slavery, the loss of siblings and parents.
Sunroom speaks to photojournalist Matthew Abbott whose iconic imagery shot for the New York Times struck a rare chord with an international audience.