In Part One, Sydney Retail Manager Neale Head navigated the complex terrain of frame rates and resolution for photographers hoping to make the leap into videography. Undeterred, he continues on to explain colour depth and sub-sampling.
Tagged with 'Canon C300 Mark II'
In Unseen Skies, DoP Tom Bannigan ACS turns his lens toward the lenses watching us, as he follows artist Trevor Paglen and his elaborate and often beautiful attempts to build awareness of global surveillance.
When Chris Ireland was invited to direct a documentary on the process of making Tom Carroll’s first exhibition, it was unknown territory for both the legendary surfer who had never photographed for gallery walls, and the director who had never met the subject or used the camera he’d be shooting on.
Our purpose-built 4K Cinema Production Kit features the leading edge in Canon Cinema Imaging and Arri support accessories, available from SUN Rental.
Chris Newport reflects on his experience with the Canon C300 Mark II shooting Network Ten's annual V8 Supercar Race.